The modalities of being a man in 2022 are at the centre of my work. I propose an allegory in twelve panels in tempera. This vision, which combines illuminations from the calendar of the Très Riches Heures of the Duke of Berry and representations drawn from the contemporary flow of images, seeks to shake up the way we look at ourselves and at others. Giving new meaning to well-known figures helps me to move towards better acceptance of myself and my gender identity.